Today is the final day for NaNoWriMo participants to finish their 50,000 word novels. Everyone who submits a manuscript of 50,000 words or more is considered a winner. I finished mine yesterday. Well, sort of. I hit the 50,000 word finish line. By my estimate, I still have at least 25,000 words to go before the story is complete. One of the authors in my online writer's group asked NaNoWriMo participants what they learned from their experience in the month-long writing marathon. Here’s what I said:"Winning" NaNoWriMo takes a far second to the joy I have about this novel. Had I not taken the challenge by Lori Weinrott to join, propped up by Brian Howe's enthusiasm, I don't think I would have started this novel--just yet. Each paragraph, page, and chapter convinced me that this is the book I should be writing right now. I'm setting aside WHISPERING NIGHTS while I finish TSSD.
I started out composing at a genteel pace, but as the days slipped by and I got behind, I began to feel crushed by the approaching deadline. I don't think there's a switch to turn off my inner editor. I don't like schlocky writing when I read it and I tolerate it less from myself. Nevertheless, it's still a shi**y first draft. It’s going to need some serious editing in the second round.
In the beginning I was excited by the new story and the words came easily as the characters revealed themselves. As my word count lagged behind the daily goal, however, I became hyper aware of every word I produced, clicking the word count meter every few pages. Toward the end I reverted back to my normal writing style, which is imagining and framing scenes for content and plot progression, rather than word count sessions. This put the joy back in the journey.
This is the first morning I haven’t plunged myself into TSSD. I’m taking a day off from the story to do some other writing tasks (like updating Ovations). Not to worry though, THE SWORD SWALLOWER’S DAUGHTER is even now sitting on her bed in the doll room, glaring at me to come up and play.
THE SWORDSWALLOWER’S DAUGHTER is a coming of age novel about loving people despite their failures, faults, and fetishes. The title, which has boiled around in my head for years, is autobiographical and many of my character’s experiences are loosely—emphasize loose here—based on my experiences growing up with an unconventional father and an over-conventional mother. Set the turbulent 1960s of my white Southern California childhood, it was an era when divorce was a sin, negroes were untouchable, Vietnam sent bloody images into American living rooms, and the Beatles led the British invasion of rock and roll.
